Banjar culture and traditions are the result of assimilation for centuries. The culture is influenced by the Islamic belief brought by Arab and Persian merchants.Banjar culture can be seen from the daily life of Banjar people, especially in the form of art, dance, music, clothes, games and traditional ceremonies.
The Banjar customs inherent in the social life of citizens characterized by Islam are maintained and maintained, visible from their daily activities of life. It can also be watched through Banjar art performances that are often featured in official events, such as Banjar dances and songs. Similarly Banjar traditional ceremonies are usually performed in the context of marriage, birth, or warning of other important events. Of the many famous art variety are:
- Madihin
- Mamanda
- Dance Japen
- Balamut
- Hadrah
- Musik Panting
- Upacara Maarak Penganten
- Bamandi-mandi
- Maayun Anak
All of it is a very interesting cultural treasure
Traditional dances are usually displayed in Traditional ceremonies such as: "Baksa Kambang" dance, "Baksa Lilin", "Kuda Gepang", "Maiwak", and others. There are about 76 types of dance. Traditional dance is usually accompanied by traditional musical instruments such as: baboon, gambang, aron, salantang, kedernong, gong, flute, rehab and etc.
MADIHIN
Art Madihin is a monologue performances performed by one or two traditional artists who compose poems and rhymes accompanied by Banjar drum music. This artistic presentation usually throws sarcasm and social and moral messages with an intriguing and funny vocabulary.
MAMANDA
Mamanda art is a traditional Banjar theater performance. Telling stories of people's lives struggle for independence as well as growing social and political criticism.
DANCE JAPEN
Jepen is a Kutai folk art that is influenced by Malay and Islamic culture. This art is very popular among the people who settled on the Mahakam river as well as in coastal areas.
This social dance is usually danced in pairs, but can also be singled out. Jepen dance is accompanied by a song and rhythm of typical Kutai music called Tingkilan. Musical instrument consists of a gambus (a type of guitar 6) and ketipung (a kind of small kendang). Because of the popularity of this art, almost in every district there are groups of Jepen and Tingkilan each have their own style, so the dance is growing rapidly With the emergence of new creations like Dance Jepen Tungku, Jepen Dance Waves, Jepen Dance 29, Jepabil Sidabil Dance and Jepen Tali Dance.
Classical Dance is a dance that grew and developed among Kratai Kartanegara Kingdom.
BALAMUT
Lamut is one of the Banjar Literature or it is said to be a story that is feared someday will be extinct. Because almost no one is interested to be Palamutan (the person who tells the story), and no one cares from the banjar community itself, the institute or the cultural body to preserve the life of this increasingly scarce Lamut.
Why is Lamut said? Some say that the lamut is taken from the name of a character story in it, namely Uncle Lamut a figure who became role models, elders, whether the environment of the kingdom or society as well as Semar in the story puppet. But there is also argued that the lamut comes from the art of Dundam is the story told by using percussion instrument that is tarbang, Bercerita while rung (hit) the tool. It is said that the rescuers when bringing the story are not visible or vague in the dark. The story is a fairy tale kingdom Antah Debut. Being wrapped, the dressing is visible to the audience and the story according to the grip that there is not written. The story known to the Banjar people is a story about the romance between Kasan Mandi with Galuh Putri Jung Masari. Kasan Mandi is the son of Maharajua Bungsu from the Kingdom of Palinggam Cahaya, while Galuh Putri Jung Masari is the daughter of Indra Bayu, king of Egyptian Keraton. Kasan Batik mating with Galuh Putri Jung Masari gave birth to a son named Bujang Maluala. In this story there is an antagonist named Sultan Aliudin the magic mandraguna from Gandang Mirung Sea that became a barrier, and there was a match war. Kasan Mandi is assisted by Uncle Lamut with his children Anglung, Anggasina and Labai Buranta, finally Sultan Aliudin lost.
Berlamut already existed in ancient times is the year 1500 AD to 1800 AD but tells the story do not use tarbang. When Islam entered into South Kalimantan, after the King of Banjar Sultan Suriansyah, then wearing a tarbang berbarut. Because Islamic art is famous for Hadrah and Burdahnya.
Along with the rapid spread of Islam, Islamic art is very influential on the development of Banjar culture and art. Poems and rhymes live and thrive in society. Banjar and Literature Lamut also got a strategic place in the spread of Islam in Banjar society.
When Sultan Suriansyah converted to Islam, many Javanese cultures and arts from Demak (Central Java) mingled on Banjar culture and art, it is no wonder Lamut got the same effect from Wayang Kulit, which is similar to that of the puppet dialect. Lamut not only developed in all corners of South Kalimantan but also reached in Central Kalimantan and East Kalimantan.
MUSIC PANTING
Panting Music Art is a blend of instruments such as Baboon, Panting, Violin, Gong, which produce a distinctive rhythm, usually accompanying traditional Banjar songs sung, or accompanying traditional dances. The term panting was taken from one of the main musical instruments Panting, a stringed instrument similar to a small Gambus.
CRAFT
One of the attractions of Banjarmasin visitors is a variety of handicrafts and souvenirs in this city. The handicraft in Banjarmasin City is not only produced by the people of Banjarmasin City, but also from other towns and districts in South Kalimantan, so by coming to Banjarmasin wiastawan can get to know the various crafts typical of the people of South Kalimantan.
There are various types of handicrafts produced by small household industries ranging from gemstones to various forms of accessories and home appliances typical Banjar, indigenous people of South Kalimantan. Handicrafts produced by the citizens of the city of Banjarmasin itself is in the form of Sasirangan cloth which has a combination of unique colors and textures. The beauty of sasirangan already known nationally, as one of the materials of men and women clothing.
Another typical craft is water jar, which is a typical type of banjar embroidery. Home appliances and furniture made of rattan materials such as lampit or mats, bags, fitting flowers and other forms. In addition to crafts in the form of equipment and accessories, in this city can be obtained a variety of traditional ingredients derived from the interior of Borneo, such as pasak bumi which is very famous in foreign countries. All these handicrafts are very interesting to be brought as souvenir from Banjarmasin City.
MAMANDA
Mamanda art is a traditional Banjar theater performance. Telling stories of people's lives struggle for independence as well as growing social and political criticism.
DANCE JAPEN
Jepen is a Kutai folk art that is influenced by Malay and Islamic culture. This art is very popular among the people who settled on the Mahakam river as well as in coastal areas.
Classical Dance is a dance that grew and developed among Kratai Kartanegara Kingdom.
BALAMUT
Lamut is one of the Banjar Literature or it is said to be a story that is feared someday will be extinct. Because almost no one is interested to be Palamutan (the person who tells the story), and no one cares from the banjar community itself, the institute or the cultural body to preserve the life of this increasingly scarce Lamut.
Why is Lamut said? Some say that the lamut is taken from the name of a character story in it, namely Uncle Lamut a figure who became role models, elders, whether the environment of the kingdom or society as well as Semar in the story puppet. But there is also argued that the lamut comes from the art of Dundam is the story told by using percussion instrument that is tarbang, Bercerita while rung (hit) the tool. It is said that the rescuers when bringing the story are not visible or vague in the dark. The story is a fairy tale kingdom Antah Debut. Being wrapped, the dressing is visible to the audience and the story according to the grip that there is not written. The story known to the Banjar people is a story about the romance between Kasan Mandi with Galuh Putri Jung Masari. Kasan Mandi is the son of Maharajua Bungsu from the Kingdom of Palinggam Cahaya, while Galuh Putri Jung Masari is the daughter of Indra Bayu, king of Egyptian Keraton. Kasan Batik mating with Galuh Putri Jung Masari gave birth to a son named Bujang Maluala. In this story there is an antagonist named Sultan Aliudin the magic mandraguna from Gandang Mirung Sea that became a barrier, and there was a match war. Kasan Mandi is assisted by Uncle Lamut with his children Anglung, Anggasina and Labai Buranta, finally Sultan Aliudin lost.
Berlamut already existed in ancient times is the year 1500 AD to 1800 AD but tells the story do not use tarbang. When Islam entered into South Kalimantan, after the King of Banjar Sultan Suriansyah, then wearing a tarbang berbarut. Because Islamic art is famous for Hadrah and Burdahnya.
Along with the rapid spread of Islam, Islamic art is very influential on the development of Banjar culture and art. Poems and rhymes live and thrive in society. Banjar and Literature Lamut also got a strategic place in the spread of Islam in Banjar society.
When Sultan Suriansyah converted to Islam, many Javanese cultures and arts from Demak (Central Java) mingled on Banjar culture and art, it is no wonder Lamut got the same effect from Wayang Kulit, which is similar to that of the puppet dialect. Lamut not only developed in all corners of South Kalimantan but also reached in Central Kalimantan and East Kalimantan.
MUSIC PANTING
CRAFT
One of the attractions of Banjarmasin visitors is a variety of handicrafts and souvenirs in this city. The handicraft in Banjarmasin City is not only produced by the people of Banjarmasin City, but also from other towns and districts in South Kalimantan, so by coming to Banjarmasin wiastawan can get to know the various crafts typical of the people of South Kalimantan.
There are various types of handicrafts produced by small household industries ranging from gemstones to various forms of accessories and home appliances typical Banjar, indigenous people of South Kalimantan. Handicrafts produced by the citizens of the city of Banjarmasin itself is in the form of Sasirangan cloth which has a combination of unique colors and textures. The beauty of sasirangan already known nationally, as one of the materials of men and women clothing.
Another typical craft is water jar, which is a typical type of banjar embroidery. Home appliances and furniture made of rattan materials such as lampit or mats, bags, fitting flowers and other forms. In addition to crafts in the form of equipment and accessories, in this city can be obtained a variety of traditional ingredients derived from the interior of Borneo, such as pasak bumi which is very famous in foreign countries. All these handicrafts are very interesting to be brought as souvenir from Banjarmasin City.
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